アンドロイドはti copro ioの夢を見るか

＜DIV＞＜P＞East Asia largely functions as a single film and media market, but behind it exists a multifaceted world of coproduction crossing linguistic and national borders. In ＜EM＞Coproducing Asia＜/EM＞, Stephanie DeBoer guides readers through a rich genealogy of regional film and media coproduction, all the while introducing innovative methods for their examination across decades, locations, and scales of production in East Asia and beyond.＜/P＞＜P＞Beginning with the present and moving back in time, ＜EM＞Coproducing Asia＜/EM＞ paints a picture of the assemblages of coproduction in East Asia and their negotiation of Cold War geopolitics and imperial legacies along with the emergence of China as a global market. Addressing wide-screen international romances of the early 1960s, technology transfers of Cold War action cinema, Sino?Japanese “friendship” TV collaborations, Asian omnibus film and video, and more recent China-centered blockbusters, DeBoer deftly contextualizes each case study while accounting for the difficulties involved in the cultural, creative, and industry mediations associated with coproduction. ＜/P＞＜P＞Based on rarely seen archival research as well as interviews with producers in Tokyo, Hong Kong, Taipei, and Shanghai, ＜EM＞Coproducing Asia＜/EM＞ provides compelling frames for understanding the significance of film and media coproduction in East Asia, making clear that it is not only a site of technological transformation but also an arena for competing senses of regional location and place. ＜/P＞＜/DIV＞画面が切り替わりますので、しばらくお待ち下さい。

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